Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer
Presonus StudioLive AR12c Analog Mixer

Presonus StudioLive AR12c Analog Mixer

$599.99
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From Presonus:

Don't let the classic analog mixer design fool you - the StudioLive® AR12c was built to record. Featuring a pristine analog front end with eight high-gain XMAX mic preamps and an 14x4, 24-bit, 96 kHz, USB-C™-compatible USB 2.0 audio interface, the StudioLive AR12c's hybrid design makes it simple to mix and record. Add in a musical 3-band analog EQ, mic/line boost for low-level sources including vintage synths, all-new digital effects with rich reverbs and lush delays, Bluetooth® connectivity, and a stereo SD recorder... and you have a mixing and recording powerhouse that fulfills the needs of both modern musicians and content creators.


Features

  • 14x4 24-bit/96 kHz, USB 2.0 (over USB-C™ connection) audio recording interface; record every channel plus the main mix
  • 2x2 SD recorder (record main mix); supports SD and SDHC formats up to 32 GB
  • 14-channel analog mixer with:
  • 8 balanced microphone inputs with XMAX mic preamps plus two instrument inputs, 12 balanced line level inputs, and 2 insert points
  • Stereo Super Channel (Ch. 13/14) with Bluetooth®0 wireless, RCA inputs, 1/8-inch stereo input, and switchable SD/USB stereo playback
  • Stereo effects processor with 16 presets, dedicated send and return, and bypass footswitch jack
  • Complete recording solution: Includes Capture™ live-recording software and Studio One® Artist DAW for Mac® and Windows


Microphone Preamp
Total Harmonic Distortion
<0.01% (Minimum Gain, A-Weighted)
Signal To Noise Ratio
94 dB (+4 dBu)
Common Mode Rejection Ratio
65 dB (1 kHz, +55 dB Gain)
Gain Control Range
43 dB (+12 to +55 dB)
Microphone Preamp Maximum Input Level
+9 dBu ± 1.0 dB (Unity Gain)
Phantom Power
+ 48V, ± 3V, Global
Frequency Response
20 Hz to 20 kHz, +0.5/-1.5 dB
Microphone Preamp Input Impedance
1 kΩ
Equivalent Input Noise
<128 dBu

Line Inputs
Line Inputs Maximum Level
+26 dBu ±1.0 dB (Minimum Gain, 1 kHz@0.5% THD + N)
Line Inputs Gain Range
Mono: 40 dB, ± 1 dB, Stereo: 0 dB or +10 dB
Line Inputs Frequency Response
20 Hz to 20 kHz, +0.5/-1.5 dB
Line Inputs Total Harmonic Distortion
<0.01% (1 kHz, -1 dBFS, A-Weighted)
Line Inputs Impedance
10 kΩ (Balanced)

Main and Line Outputs
Main And Line Outputs Frequency Response
20 Hz to 20 kHz, +0.5/-1.5 dB
Main And Line Outputs Total Harmonic Distortion
<0.01% (Bandwidth 20 Hz - 20 kHz, -1 dBFS, Unweighted)
Main And Line Outputs Dynamic Range
>108 dB (A-wtd)

Headphone Outputs
Headphone Outputs Maximum Output
150 mW /Channel at 60 Ω
Frequency Response
20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range
>103 dB (A-Weighted)
Total Harmonic Distortion
<0.01% (Bandwidth 20 Hz - 20 kHz, -1 dBFS, Unweighted)

Digital Audio
Digital Audio Dynamic Range
105 dB (A-Weighted, 48 kHz)
Digital Audio Bit Depth
24
Supported Sample Rates
44.1, 48, 88.2, 96 kHz




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